It’s pretty, that story. Pretty enough to make you fall in love. And it’d be pretty too, to think the story ended there. To think that Mom, a little muddy but no worse for the wear, follows the river upstream until she’s spit out with her child on some San Diego shore. Towing the Styrofoam box behind her, she trudges through the silt to safety, her fingers prunish and her knees purple and sore. She puts her baby in the grass, where he coos and giggles from a tickle of dandelion brushing across his tummy, while she wrings out her skirts in the sun. That’s the way Ricky remembers it, so damn pretty. He remembers too that shortly thereafter Dad, an uncle of no relation and all six sisters came tumbling out of the hedges and trees; and before long they were in the big house in Riverside, splashing it up in the swimming pool, the river sledge long forgotten.
Of course, it didn’t happen like that. Never does. But whose gonna tell Moses that his momma pushed the cradle upstream while she swam up a sewer, filling her mouth full of piss and shit and raw scum? Who’s going to tell the baby that momma held her breath, the filth and refuge still inside and trickling down her lips, and faced the immigration police face front? That she spat the festering contents of her mouth, in one solid stream, straight into the blue-green eyes of the border patrol, and then she ran, her baby still bobbing about unawares?
Nobody. That’s who. Nobody’s gonna tell the baby a goddamned thing. They’re not going to linger on the lack of hedges in the desert. They’re not going to mention the indescribable taste shit leaves in between your teeth and on the inside of your cheeks. They’re going to let him float straight onto the chosen land, and they’re only going to cringe a little when the baby grows up and announces his intent to marry a yellow-headed wife.